VÊS.TRÊS​

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15.02. — 02.16.2020

EGEU - Cultural Centre

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<< Continuous bass >>: the expression used by Starobinski to evoke the places and rhythms of yesteryear is significant: modernity doesn't erase them, but puts them on a receding plane. They are like indicators of the time that passes and survives. They last like the words that express them, and will still express them. Modernity in art preserves all the temporalities of the place, just as they are fixed in space and in words.

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Non-places, Mare Augé

 

 

The chord sustains a tonality.

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Conditioning: Improvising a melodic line. Space defines the intensity of sound. Integrate the space into the composition (two-dimensional) by observing the volume. The colour of the volume shapes the form. The depth of the form only exists in the roundness of the eye. The volume of the eye creates the only volume of the form.

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Vês.Três brings together a collective project, without division into parts or materials. Three registers, discourses and working methods converge at one point. This gives rise to a single rhythm - sound - which is intuitively and harmoniously organised and composed in a flat space. 

Chord. During the improvisation process, <<memory places>> emerge. Colour defines a language that alludes to ancient times and places. Thus, the present space - Egeu - is defined by two circles - the radius is tripled - and the ellipse generated is a living body that adds volume to the voice. The temporality of the place is preserved.

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A. Lenz, February 2020

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